Thursday, December 31, 2009

Samuel P. Huntington: A Year after his Death (Part I)



The prominent American political scientist, historian and Harvard professor, Samuel P. Huntington, best known as the author of The Clash of Civilizations died on December 24, 2008 on his residence in Martha's Vineyard, Massachusetts. He was 81 years old. His passing was noted in virtually all newspapers of this nation and with it brought a renewed interest in his writing, bringing a modest increase in sales of his books in Amazon shortly thereafter. The works of Huntington are still quoted, especially by a few conservative critics and thinkers, but few of us remember what the aforementioned title and his political ideology were about.


The Clash of Civilizations, was instrumental in shaping the political ideology of the conservative right during the Bush's years with the belief that there are groups of people or governments that do not adhere to the principles of the United States and Western Europe, or as Bush said, "the civilized world," and these ideological and cultural conflict would become our new war front and as a result, we are now suffering the consequences. His subsequent book, Who Are We? The Challenges to America's Identity, published in May 2004, subscribes to the nativist position that foreigners and having a multicultural identity are detrimental to the Anglo-protestant fabric of the American nation. In essence, the question for him was what makes the American identity. His resolve consisted of three factors: the "American Creed" (the belief in democracy, power of the government, individual rights, and to uphold of the constitution), "the Protestant work ethic," and "the importance of religion in our lives" (as opposed to most Europeans). For him, the Latino population, mainly Mexican in his view, due to history, culture and tradition, are incompatible with the Anglo-Protestant values. The central premise of this book appeared in a form of an article a month prior to its publication in the Mar/Apr edition of Foreign Policy. The article titled "Jose, Can You See" states that immigrants from Latin America are unlike those of the 19th century in that they fail to learn English and acquire the values of their new nation, choose to live in segregated communities, and hold allegiance to their country of origin instead of the United States.

When I read this article, I remember that I was so upset because I knew that what he wrote was not true based on my experience which I believed are universal truths of many Latinos like me. Unfortunately, too many Americans still hold this belief and will likely not go away any time soon, one just has to listen to the daily news reports coming from Texas and California or from the protesters against illegal immigration. What follows is a reprint of personal essay I wrote in 2004, a week after I read the article.

(Continues in Part Two)

Samuel P. Huntington: A Year after His Death (Part II)

* Please read Part One of this article first.

Professor, You Have Not Looked At Us Carefully!

Not too long ago, I was in the newsstand section of Barnes & Noble at Union Square waiting for my friend and his wife to go to Chelsea and see some art exhibitions when among the many magazines, one stood out because of its cover story. The magazine was Foreign Policy and the article, "The Hispanic Challenge: How Hispanics Immigrants Threaten America's Identity, Values, and Way of Life," which incidentally is only a synopsis of a forthcoming book titled, Who Are We? The Challenges to America's National Identity, by the renowned Harvard professor, Samuel P. Huntington.


The article shocked me to say the least. It seemed like a personal attack and led to all sorts of images and questions pertaining to my self. Am I unwanted even though I am an  American citizen by birth? Have I not realized that my non-Hispanic/Latino neighbors looked at me cautiously because I do not like or practice certain American customs like going out drinking during the superbowl? Is it because sometimes I think better in Spanish when expressing deep and personal emotions, such as love or grief? Or, is it because we like to have crucifixes and pictures of the Pope, Jesus and the Virgin Mary hanging on our walls, we like to have candles honoring saints, and we like to have kitschy statues of saints and angels? My family is one of them. What other reason could there be? Regardless of our differences, I am shocked that such an antiquated and xenophobic thinking is still in the minds of some Americans today. Have we forgotten that each immigrant group, with its customs and traditions, have contributed to the general American culture of today? So how are we a "threat"?

I picked up this magazine with caution. I knew that I was going to encounter passages that would bother me, but I also knew that I needed to clear my mind from passing judgment to quickly. So I slowly began reading Huntington's article, pausing along the way to think and make sense of his argument. The "we" as used by Huntington is as exclusive as the "we" used by our founding fathers when writing the Declaration of Independence. "We" in the book title and in the article refers to Americans, principally White Americans, claiming a superiority of Protestant culture and values inherited by the founding fathers. "We" does not include me.

Let us be clear that I am not claiming to be an expert in politics, immigration or economics. I am not a scholar, but I do have an interest in issues pertaining to race, ethnicity, and social class. I am sure that my own personal experiences are shared by other Hispanics and Latinos in this country.

Hamilton argues that the large immigration from Latin America, particularly from Mexico, differs from past immigrations because of two important aspects. First, the proximity of Mexico and Latin America to the United States. This proximity, he argues, enables immigrants from Latin America to go back and forth to their homelands: Mexicans need only to cross the border, for Cubans it is only a "short boat ride away" while for South Americans it is only a short flight away.  The other is the size of the immigrant population, especially from Mexico, which does not seem to subside. It is our sheer numbers and the proximity to our original homelands have caused us to group together in states closer to our original port of entry (Florida, the southwest and northeast) and in segregated "Spanish neighborhoods" within the cities in those states. This prevents us from meeting other groups of people and taking part in the American economic system which in turn prevent us from reaping the benefits that it will bring. He further his argument by stating that second and even third generation American-born are not learning English. He says, "they all speak Spanish."

I am a first generation American-born living in a city, New York, and in a neighborhood with a large Latino population. Huntington would probably assume that my friends are most likely Hispanic and I use Spanish more often than English. He would also think that I only enjoy Latino food, Latin music, Spanish TV, etc. It becomes clear to me that he has not looked at us, our history--American history--and our neighborhoods carefully.

My neighborhood did not always have a large Latino population. Belmont was traditionally an Italian neighborhood and in fact, it is still referred to as "Little Italy." But Italians became a minority group long ago after we moved from other neighborhoods that had become "Hispanic." Today, buenos dias, gracias, and hasta luego has replaced buongiorno, grazie, and ci vediamo, their Italian equivalent. Despite of this, the English language has been and will always be the binding element of the community, regardless of which ethnic group make up the majority. Without some knowledge of English, I would not be able to talk to the shoe-repair owner who is Korean; likewise if he did not use English, he would not be able to conduct business. Without English I would not be able to defend myself against unscrupulous shop keepers or talk to the beautiful Albanian clerk at the bank. Because of our presence, tacos, burritos, empanadas and coronas are as visible as pizza, calzone, canolis, and chiantis. My neighborhood has now a Mexican soccer league in addition to the original Italian one, and the local public library which has the largest collection of Italian language materials in the city now carries a Spanish collection, albeit not as large. We have enriched the neighborhood and in the future other ethnic groups will do the same.

Today "Spanish neighborhoods" like East Harlem, West Farms, Corona, and Washington Heights were once something else. East Harlem was once African-American and Italian. West Farms was once Jewish, and Corona was once Italian. Washington Heights was once Jewish and before that, German/Central European. Despite of our growing numbers, some "Spanish neighborhoods" have ceased to exist or are on their way to the  moratorium. Morningside Heights and the West Side are now "gentrified." The Lower East Side is not "trendy" and parts of Williamsburg have now been replaced by the Poles and other Eastern Europeans, artists, and yuppies. This is the history of all neighborhoods in New York City and of every other city in this country. People move from one place to another for a variety of reasons. So there is no neighborhood that is permanently settled by one group of people--all neighborhoods are in a permanent state of transition. My brother was born in Manhattan and raised in the Bronx; moved to Rego Park when he was a college student; then to Forest Hills after graduating; later spent some time in Colorado, then he moved to Hawaii and found out that he did not liked it, so he moved to Pasadena a year later; and now he makes his residence in San Francisco. While my brother's constant moving may be an extreme, many of us are constantly moving sometimes far from our barrios in an areas populated by non-Latinos.

It is true that we retain some of our values and traditions of our homelands. But is it not true that White Americans also have done the same? I have Italian-American friends of second and even third generation who still have habits and customs not common with other Americans. Then there are many Americans who are now red-discovering their roots and are looking back for a connection to Europe, Africa or elsewhere in the world. We have ethnic parades, ethnic restaurants, and such. So why does he expect us to be any different? Many Americans say they are Italians, Irish, German or Polish even though most are of mixed ancestry, often of several generations American, and may never have traveled to the country they claim origin in. Can I say that they are being unpatriotic or non-assimilated?

I like to eat Spanish food. I like my rice and beans with fried pork chop. Nothing beats it! I like plantains, bacalao, papaya, and batidos. But I also like pumpkin pie, New England clam chowder soup, collard greens, etc. If I go out to eat, a Latino restaurant is the last thing that I think about. I prefer Indian or Thai. I do watch some Spanish TV and listen to old boleros, but how one can not enjoy American pop music or Hollywood productions when they set the standard for everyone else. Besides, "Latino" music is now being enjoyed by white-Americans and some Latin pop stars are now crossing over to an anglo audience by singing in English. My taste in music has been influenced in some respects by the people I have met, and they are usually non-Latinos. The same is true of most Latinos. We work and interact in places where there are people of all ethnic background and nationalities. When we use our native language, it is usually with our closest friends and relatives because it will be wrong or strange not to do so. Furthermore, if there is any proof that Latinos are becoming assimilated is that many of us have a poor fluency of our native language or not know it at all. My younger brother is one of them. Believe me, I know. I live in a neighborhood where the majority are Latinos but few have full fluency of the language. If Huntington believes that we are not assimilated, send some of us back home and he or she will stick out like a sore thumb because everything about them will cry "American," from the fashion she wears to the attitudes that he displays. He also mentions that bilingualism is divides more than unites and the citizens of bilingual countries are hardly bilingual at all. He cites Canada, Belgium and Switzerland as examples. I, on the other hand, see bilingualism as a plus because it enables us to expand our thinking and see the world a little bit different. If the people from said countries do not speak each other languages is due to politics or forced supremacy of one language over another.

Huntington claims that our failure to assimilate is due to our level of education, economic status, income, home ownership, and low intermarriage. If our educational levels are not in par with white Americans or if our professional occupations are usually on the lower end of the labor market is due to past and on-going discrimination and social injustice, which in turn explains why home ownership and economic status are relatively low and not because of lack of ambition as he so wrongly claims. Also, we have to remember that Latinos are a "new" immigrant group and many of us are still coming, and many economic studies fail to note this in their studies. And in regard to low intermarriage, perhaps it is because our men and women are hot and sexy!

Mr. Huntington, you have not looked at us carefully. Despite our growing numbers, we are no different from past immigrants. We are learning the language of Shakespeare. We are contributing in all economic, scientific, and artistic areas of this country. But most importantly, we are constantly on the move in search of the American Dream. In fact, the difference between us, Latinos, and the group that Huntington belongs to (whites) is not that much.


Below is a link to the article:
http://www.foreignpolicy.com/story/cms.php?story_id=2495

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I believe that the real threat comes from anti-immigrant groups, conservatives, people in the far right and White Nativists, not us.




Tuesday, December 22, 2009

Winter Wonderland -- Interpretation by Goldfrapp


Around this time last year, I went to Starbucks and I heard a beautiful rendition of "Winter Wonderland" by Goldfrapp. Most interpretations of Christmas music are either bland or simply stupid. This one, with its crystal sounds, echoes and whistling, and the sultry vocals of Allison Goldfrapp, make this rendition unique. I would even say that it sounds a bit eeire. I'm sure Edward Scissorhands loves it.

It's Christmas time again, and I must admit that I can't stop listening to it. (The same happened last year.)

I feel like a ten-year-old.



Click here to listen to the song.




(top image from last.fm; bottom image from NordicLandscapes.com)

Shopping for Christmas

Today when I went out for Christmas shopping, I overheard a young couple talking while we were standing on line. She said to Him, "Look, cufflinks. Do you think dad will like it? I think so."
"Yeah."
"Okay. I'm all set. He's been taken care of." 
(Short pause)
"I just can't wait till Christmas. I asked my dad to buy me this cool watch for Christmas. You gotta see it. It's $1,500 and he got it for me."
"Wow! What brand is it?"
The bell rings; it was my turn to step up to the cashier.

What is Christmas? What has Christmas become?

Monday, December 21, 2009

Is it obscene? Part One

Dear Blog:

My sister has a subscription of Us Weekly. I don't care about this magazine. But on this particular day, I took the magazine to look at the pictures while I was eating a snack. I needed something light. One of the articles were, "Who's Been Naughty or Nice?" Carrie Prejean, the former Miss California, was one the celebrities mentioned. She was "naughty." That's nice! The caption went on to say that Radaronline.com had reported that Ms. Prejean had made seven more sex tapes in addition to the one that caused the scandal. Seven more tapes!!! What a little whore!

I finished my cereal and I was ready to go back to work. I meant to return the magazine but I forgot, so I placed it on my desk.

Time passed. It was now a little after 12:00 am. I was about to turn off my computer, but then I took a glance to the right. "Seven tapes!" Without hesitation, I googled Carrie Prejean, sexy Prejean, naked Carrie Prejean, Carrie Prejean tapes, Prejean sex tapes… I guess that the more I searched, the hornier I got. Oh God! I wanted to see Carrie Prejean naked. In a video preferably. I wasn't successful. But all the searches led to sites offering "naked celebrities." Clicked on one of them but it was pretty boring. Yeah…it had the beautiful Adriana Lima topless and Madonna naked, but I wanted Carrie Prejean! The site offered links to other sites. Well, I clicked on those. Then, clicked some more. It was 1:00 a.m. By this time, I had become a robot. My body was stiff. I didn't blink. I didn't move, save for my right index finger pushing the button on the mouse. Sites became progressively "darker." After much clicking, it led to a site where users have the opportunity to post videos of any kind, from hardcore (even shocking) porn to outrageous (sometimes funny) accidents or situations. The premise on this site appeared to be, "anything goes" kind of stuff though most appeared to be straight out porn. On the home page of this site which I won't name, it had a video titled something along these lines: "idiot misses water on a dive." I should have known better. The title was already a give away as to what will happen. But I was curious. I clicked on it. It was my first. It was the most shocking and horryfying thing I have ever seen.

I turned off the computer. I couldn't go to sleep. On the following day, the video was haunting me all day. I was thinking about my own soul and what led me there in the first place. I was also thinking about the injured man and the people who downloaded the video on that site.

I think I need to pray.

God, please help me. God, please help us all.

Holger

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Is it obscene? Part Two

…I guess in my subconscious I wanted to get off with the image of Carrie Prejean. I don't know.

What I do know is that the video that I saw showed a group of men, probably youngsters, atop of a concrete barrier overlooking the ocean. The waves crashed on the rocks and a smaller wall jutting out in front of the barrier. One man jumps. It was a perfect dive. The second one jumps, but he missed. His face hit the wall before landing in the water. Everyone screamed. A rescue boat was then seen picking up what appeared to be a bloody floating corpse. The video then jumps to when the man is in a hospital bed. (What follows is graphic.) His face/head looked like a split nut. Yet, the man was alive! Doctors were using tape to secure his head in place...for surgical proceeding I will suppose. End of video. (End of graphic material.)

This video is in a site where the majority of its content are of a sexual nature, whether explicit or implied. So, why was this video there? Why was it one of the videos featured in its home page? For what purpose? Do people get off from looking at this stuff? Can pain and suffering be sexual? And if it is, until what extent? Where does the erotic end and obscenity begin?

I didn't investigate if the site had any other similar videos nor do I want to know. One was enough.

Had this video, or any similar video involving accidents or suffering, been on YouTube or CNN, it would be "informational." But what happens if the same video is in a porn site, is it still "informational" or does it becomes something else. Has it become perverse or even worse, obscene?

Philosophers have debated on what is obscenity, and like love, beauty and the question of God's existence, there exists no consensus. In the landmark case of Miller v. California, the Supreme Court of the United States ruled that obscenity is not protected under the First Amendment. The ruling, however, didn't provide a clear definition as to what is obscene, but they set three criteria that have been in used since then. It's called the Miller Test, and for something to be obscene it must meet the following:

1.       The average person, applying contemporary community standards, must find that the work, taken as a whole, appeals to the prurient interest;

2.       the work depicts or describes, in a patently offensive way, sexual conduct or excretory functions specifically defined by applicable state law; and,

3.       the work, taken as a whole, lacks serious literary, artistic, political, or scientific value.

Number two is easy to understand and it's generally universally accepted. Number one and three are more in the grey area: a 50/50. The average person could be wrong or not all communities think alike even within the same country (i.e. Berkeley v. Colorado Springs). If a work is not sadistic in nature, then who's to say that a work in question is not of value only because it disagrees with mainstream thought.

The question of judging something obscene should be not if it meets the above criteria. Rather, it should be if it does harm. Does it bring harm to the common good like inciting fear, dread or violence? (i.e. suicide bombers, yelling fire in a crowded theater) Does it bring harm to the individual or the people involved when consent has not been granted? (i.e. child pornography, human trafficking, slavery) Does it take the suffering of an individual or people that was deliberately caused for gratification? (i.e. Nazi experiments). Justice Potter Stewart of the Supreme Court of the United States famously stated: I shall not today attempt further to define the kinds of material I understand to be embraced but I know it when I see it. So, this is how I see it: Obscenity is about harm. Obscenity robs us of our humanity.

So, to answer my original question, has that video become obscene? I think it has. It is my view that it was deliberately downloaded to that site to serve as a medium for deviant sexual gratification and laughter at the expense (and without the consent) of the one injured. And, if we use the criteria ruled by the justices, then I could argue that whatever "newsworthy information" it had was now lost, leaving it with no artistic, literary, political, or scientific value.

That video should have been banned by the owners of the site.

I don't advocate censorship. But I do advocate for the preservation of our humanity and the betterment of our human condition.

Friday, December 11, 2009

Special Features on Mondo Vision DVDs


This past Tuesday I received the two limited editions DVDs from Mondo Vision that I ordered via Amazon some days ago. The cost of the two videos, with NY state tax, was three dollars shy of $100.00. And, that's using the free shipping service! With this amount of money I could have bought three Criterions or four Hollywood blockbuster DVDs, and still have some pocket change. So what makes the DVDs from Mondo Vision so special?


Mondo Vision is a new video label that aims to distribute radical and innovative contemporary films from around the world to cinephiles. Their focus is on films that has been ill understood, and subsequently forgotten, by the public. The company released its debut title, La Femme Publique, on November 2008 to much success. So far, the company has had only three releases, all by Andrzej Zulawski. The company has treated all three films as "lost masterpieces." The packaging for each release is beautiful to look at. They are also thick sturdy and sturdy. Critics and connoisseurs have raved about the quality of the transfers and captions, comparing it to those made by The Criterion Collection. In addition, each release comes with a wealth of extras that mimic those made by Criterion like behind the scenes, interviews, and commentary, etc. Among the most prized extras, in my opinion, is the booklet. However, the booklet varies in thickness, meaning in quantity of text material and references, depending on whether a Special Edition or Limited Edition is purchased. This is the main difference between the two editions, and this is where I have a problem with.

Andrzej Zulawski was never popular. A native of Poland, he was forced to live in exile in France during the early 1970s after releasing Diabel (The Devil). The film was banned and deemed indecent by the authorities. Diabel did not conform to the aesthetics of socialist realism of the time or to the established conventions of the "Polish Film School." Zulawski abhors the established conventions of cinema as well as mainstream culture and commercialism. As a result, his films have been confined to arthouse cinemas, mostly in France, and with the notable exception of My Nights Are More Beautiful Than Your Days, his videos have not been available in the U.S. and Canada until the arrival of Mondo Vision, unless one had a multi-region PAL player. Likewise, few articles have been written about him or his films in this country. Much of the information about Zulawski comes from French sources, few of which have made their way across the ocean or have been translated into English. To people like me, this was a pity.

Mondo Vision has translated from the French some of the reviews and commentary about each film. They have also included critical essays and reprinted (in translation) the interviews made to the director or actors by film magazines from Europe. To someone who likes film, or has a liking for Zulawski's art, this is a treat. However, it's only available in the limited edition set. The special edition only has the critical essay. The former is limited to 2,000 sets which are serially numbered and comes with a certificate of authenticity. So this means that only 2,000 "lucky" people will have the benefit of this information for each release. The French sociologist, Pierre Bourdieu, said that differences in intellectual knowledge and educational achievement, and in turn social standing, could be explained by what he called, "Cultural Capital." He identifies three types of cultural capital, one of which is "objectified cultural capital" which is the ownership and commerce of works of art or having an intimate relation with it. The poor, due to their limited resources, do not have such opportunity to "buy" or "tap" into such cultural products thereby excluding them from forming part of the dominant cultural class. More than ever, culture has become meritocratic where only few have control and access to it. If we as a society believe in education and in the betterment of our citizens, then why are we excluding or limiting intellectual knowledge? When I think of "limited editions" DVD sets, especially one that is serially numbered, I think of a nice and sturdy case wrapped in fabric or leather, a collection of postcards or trinkets, or even an extra disc with music scores and videos. I also think of having an original print or photo with an authentic signature by the author. But I never think of a set that contains critical readings not available otherwise on regular sets. This sort of thinking about what constitutes a limited edition is elitist to me. Mondo Vision has released three DVDs thus far: I have only two. I couldn't afford the other one so, there is a likelihood that I'll never know about the text contained therein. Luckily, I live in New York City where our research public library is one of the largest in the world and is well stocked with foreign publications and media, but people from smaller cities and the rural counties don't have such access. Thus, Mondo Vision is promoting the "social elimination," as Bourdieu will put it, of some of us by denying access to higher knowledge whether they like it or not.

I'm happy that Mondo Vision brought back from obscurity the films of this great director. Two thumbs up for that! But I wish they weren't so exclusive.

Thursday, December 10, 2009

Finally!


It has been over a year since I first began talking about having a blog to share my thoughts and feelings with everyone out there in a straight-thinking informal manner. Well, it has finally happened! Why now, some may ask, and not, say, two or three years from now. The answer is that I could no longer keep that which ought to be expressed or discussed. Besides, I would never know where I truly stand if I don't have any feedback. Most blogs either provide commentaries or information on a particular subject or function as a personal diary. This blog will be both. My main goal here is to have a dialogue with you and hopefully learn a little bit more about myself and in turn, you about me. I look forward to your comments.

Cheers!

Holger